Way Beyond Monochrome 2e: Advanced Techniques for Traditional Black & White Photography including digital negatives and hybrid printing

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Product Description

An inspirational bible for monochrome photography - this second edition almost doubles the content of its predecessor showing you the path from visualization to print

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Way Beyond Monochrome 2e: Advanced Techniques for Traditional Black & White Photography including digital negatives and hybrid printing Review

Disclaimer: I am casually acquainted with one of the authors (R.L.) via a photography forum, and one of my images is included in this book. However, I feel that neither of these issues preclude me from offering an honest critique.

I was at first struck by the size of this book: with 500+ pages, it is an encyclopedia! But the volume of this book is appropriate for its broad, technical scope. The book addresses the physiological aspects of seeing, and the refinement of print tonality... and everything in between. Consistent with the modern context, the reader will also find a thorough treatment of all the digital, hybrid, and traditional tools. With a strong emphasis on clarifying techniques, this book is *very* thoroughly illustrated. Hardly a page is without an example, an illustration or a graph. In addition, numerous tables and templates are found in an appendix. It's literally impossible for me to locate a technical topic that wasn't appropriately described. Yes, MTF, dry down, transmittance etc. are all given full schrift!

The risk that the authors take with this book is to overwhelm the reader with the technical scope, with insufficient treatment of the creative aspects that must always drive the successful craft. Indeed the book contains ~90% technical content. There is a small section on visualization, and a larger "On Assignment" section with narrated examples, but the reader will not find much discussion of fundamental issues such as: what distinguishes black and white photography as an art form; why black and white is effective in some cases for which color photography is not; and the special role of certain abstract graphical elements in the black and white craft.

For my own taste, there could and probably should be more weight given to these qualitative aspects, and for that reason my rating of this book is not perfect. That said, I realize that most readers expect and appreciate the technical guidance... and abstract statements about the unique effectiveness of black and white photography are probably best made with photographs rather than words!

Overall, this book is a real achievement- an authoritative reference that will be widely cited for many years to come. I recommend it very highly, and note that the low price is a very pleasant surprise, given the volume of very useful information. I am certain that this book will be at least as successful as the first edition, which is also very highly regarded.

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