Pictorial Illusionism

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Drawing together a wealth of primary sources, J.A. Sokalski examines the aims, inventions, and methods of the pictorial style that defined MacKaye's art. Sokalski shows how MacKaye's famous Madison Square Theatre, which featured a double stage reminiscent of an elevator, created whirling pictorial illusions for fashionable New York. He argues that MacKaye's infamous failure, the colossal Spectatorium theatre for the 1893 Chicago World's Fair, was the most complete realization of this illusionary aesthetic. Sokalski also explores MacKaye's influence on Buffalo Bill Cody and how civil war cycloramas expanded his concept of pictorial space.

Pictorial Illusionism Review

Steele MacKaye was one of the most important figures in 19th-Century American theater but he's almost forgotten today. This is his first modern biography -- but it was worth the wait. Sokalski tells the tale of MacKaye's extraordinary innovations in theater and theatrical spectacle -- he's the guy that turned Buffalo Bill's Wild West into a real show -- all of which anticipated cinema practice in one way or another. MacKaye didn't live long enough to see the birth of the movies, but studying his work you can see the aesthetic currents that made the invention of cinema almost inevitable. This is an essential contribution to American cultural studies.

I should add that the book has been published in a handsome edition by McGill-Queens University Press -- with a sturdy sewn binding and numerous well-chosen illustrations. All books should be made this way!

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